In part 1, Wilson develops the sky and the gentle ocean waves. Wilson can almost hear the waves lapping at the shore as the soft breeze blows through the seagrasses dotting the beach. In part 1, ...

In Part 1, Wilson creates the background and vase using a painting knife. Wilson uses only a painting knife to create a vase full of colorful flowers. In Part 1, he creates the background and the vase ...

The Everyman Theatre in Downtown Baltimore is preparing to perform August Wilson's "The Piano Lesson" as part of a celebration. The show is part of the Baltimore August Wilson Celebration, during ...

TORONTO (AP) — August Wilson ’s “The Piano Lesson” deals profoundly with ancestry and heritage, which makes it all the more fitting that the new film adaptation, produced by Denzel Washington and ...

The Piano Lesson director Malcolm Washington came to Deadline’s Contenders London with the stars of his feature helming debut — John David Washington and Danielle Deadwyler — as well as composer ...

Awards Circuit Podcast: Also on this episode, 'Dune: Part Two" filmmaker Denis Villeneuve Deadwyler sees the necessity of the legacy of playwright August Wilson’s work, as it stands as a dedication to ...

In August Wilson’s play “The Piano Lesson” — revived on Broadway in 2022, adapted with care and much the same cast for the screen by Malcolm Washington — Berniece hasn’t played the piano since her ...

Ross Bonaime is the Senior Film Editor at Collider. He is a Virginia-based critic, writer, and editor who has written about all forms of entertainment for Paste Magazine, Brightest Young Things, ...

It’s been a big weekend for the Washington family. While patriarch Denzel Washington chewed the scenery on multiplex screens in “Gladiator II,” the next generation of Washingtons stormed onto ...

From left: “ranney," Omar Robison, Ariel Phillips and Jade Guerra in Actors’ Shakespeare Project’s production of August Wilson’s "The Piano Lesson." (Courtesy Nile Scott Studios) Boy Willie is the ...

English teacher Anne Loudon knew of the late 1990s feud between playwright August Wilson and theater critic Robert Brustein through her knowledge of Wilson’s 1996 “The Ground on Which I Stand” speech ...